Birthday: 24/01/1961 Year
Age: 54 years
Place of Birth: West Berin, Germany
Height: 169 cm
Two directors had a decisive influence on the formation of Nastia Kinski as a creative person – Roman Polanski, who introduced her to the world as a serious actress, and Andrew Conchal-sky, recalling her Slavic roots.
Nastassja Kinski (Kinski, Nastassia). Real name: Nakstsinska. Born 24.01.1961 in Berlin in the family of the famous German actor Klaus Kinski. Sister Nastassja Kinski Paul – also an actress.
14-year-old girl was “discovered” in the Munich disco director Wim Wenders, who was looking for a singer for the role of Mignon in the film “Wrong Move”. Angular, megamouth, with burning black eyes, Nastassja Kinski has passed through the film, without saying a word. But this is what gives the image of mystery and exoticism Minions. Since then removed from the proposals did not rebound. “Bride of Satan” (1976), “Passionate flowers” (1977), “Stay by itself” (1978) – all of these paintings, exploiting childish charm Nastassja Kinski, been based on a very slippery subjects and teetered on the brink between ambiguity and outright obscenity. Hard to say, as if was the fate Kinski, if the director Roman Polanski did not see in “Vogue” series of photographs of her. He was going to film the novel T. Hardy “Tess of the D’Urbervilles” and searching for a singer role of the heroine. Nastassja Kinski was urgently summoned to America. She began strenuously he studied English, visited the famous Actors Studio. Then the band moved to the Norman village, and Nastasia began studying rural life. This has helped to show convincingly on screen drama of a young servant, devoted dishonor for the birth of an illegitimate child, forcibly married to her nasty peasant and yet in the final tape accepting revenge for his many years of suffering.
“Tess” (1978) was nominated for six “Oscars”. Nobody famous German actress was at the center of public attention. The American press wrote about it in those years with the enthusiastic aspiration, not forgetting to mention the famous Ingrid Bergman. Although explicit portrait similarity existed, it was believed that in the guise of a young German woman embodied traits, once inherent Swedish star – natural spontaneity, freshness, innocence, vulnerability, in a word, the charm of a girl not yet a full measure of self-realized woman.
After “Tess” Nastassja Kinski starred in three Hollywood films – “With all my heart” (1982), “Cat People” (1982), “Left to” (1983). Especially popular in America enjoyed an erotic horror film “Cat People” by P. Schroder, tells the story of a family whose members during congress turned into panthers. Technically, this process of transformation was the most difficult in the film, but Nastia refused understudy and doing everything myself.
In 1983, she was struck by his countrymen increased acting, playing the role of Robert Schumann’s wife – the pianist Clara Wieck in the movie “Spring Symphony”. However, in Germany it is not delayed, and hurried back to America. Particularly successful was for her in 1984, when the screens went three films with her participation: “The Hotel New Hampshire”, “Paris, Texas”, “Lovers of Mary.” Curiously, all three films were set by Europeans, worked for a time in Hollywood. Especially memorable were “Lovers of Mary” by A. Konchalovsky (based on a story by Andrei Platonov “River Potudan”). The history of women remain a virgin at a young husband, was played with an extraordinary actress shrill and trepidation. Big, shy girl with long arms and a big mouth, she waits in vain, when her husband will show her favor, and he disappears from the city. And Mary gives herself to the first comer, bribed her playing the guitar …
Complex relationships within couples dedicated his film “Paris, Texas” and Wim Wenders, but gave them a very different interpretation. In contrast to the gentle, meek Mary Jane, the heroine of “Paris, Texas”, embodies the wild impulse to freedom from the bonds of family and marriage, which was peculiar to many Americans in the early 80s. Jane is not going to cry and grieve. She just runs away from home, leaving in the lurch infant son. For the first time in a creative manner Kinski manifested traits of cruelty and intolerance, showing that it can play different roles.
Two directors had a decisive influence on the formation of Nastia Kinski as a creative person – Roman Polanski, who introduced her to the world as a serious actress, and Andrew Conchal-sky, recalling her Slavic roots. In 1990, Nastia starred in Russian film “The Insulted and Injured” A. Eshpaja. She played the role of Natasha with such insight that tragic way that it would be difficult to imagine in its place another actress. A little earlier, in 1989 in Italy was carried out film adaptation of the novel of Turgenev’s “Spring Water”. Kinski made in a somewhat unusual for her role – fatal women, creating an image of freedom-loving, full of humor beauties Mary, fascinating men with the skill of an experienced trainer.
In recent years, creative activity Nastia has increasingly shifted towards Europe. Perhaps one of the reasons – the emergence of an American movie actress, remarkably similar to Kinski its spontaneity and charm of living – Julia Roberts, leaving fewer roles to its predecessor. Since 1981 all the magazines bypassed by Richard Avedon photograph depicting a naked Nastya snake, the audience’s attention continues to this charming and seductive woman. Especially many tales told about her when she wore her son Alyosha. In magazines even published a list of eight people – applicants for the role of the father. However, in late 1984, Anastasia married a man whose name had not been mentioned – Egyptian producer Ibrahim Moussa. Gossip ceased. In 1986, the birth of their daughter Sonia. Marriage ended in scandal in 1992, when Musa accused his wife of adultery with a famous rock musician.
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